Up for Review: Murder as a Fine Art

David Morrell, the creator of Rambo, has published 29 novels, 6 works of non-fiction, and numerous short-stories and essays. His latest novel is a historical murder mystery featuring  real-life author Thomas de Quincey. I’ve never paid any attention to Rambo, but this sounds quite good.

Murder as a Fine Art by David MorrellMurder as a Fine Art by David Morrell (Mulholland Books)

NetGalley blurb:

GASLIT LONDON IS BROUGHT TO ITS KNEES IN DAVID MORRELL’S BRILLIANT HISTORICAL THRILLER.

Thomas De Quincey, infamous for his memoir Confessions of an English Opium-Eater, is the major suspect in a series of ferocious mass murders identical to ones that terrorized London forty-three years earlier.

The blueprint for the killings seems to be De Quincey’s essay “On Murder Considered as One of the Fine Arts.” Desperate to clear his name but crippled by opium addiction, De Quincey is aided by his devoted daughter Emily and a pair of determined Scotland Yard detectives.

In Murder as a Fine Art, David Morrell plucks De Quincey, Victorian London, and the Ratcliffe Highway murders from history. Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.

 

Murder as a Fine Art was published on 7 May 2013 by Mulholland Books.

Links
Goodreads
Mulholland Books
Conversation with Morrell and De Quincey scholar Robert Morrisson
Pretty much everything else is covered by the novel’s page on Morrell’s website. Click through for links to the book trailer, interviews with Morrell about the novel, and buying options.

About the Author
David Morrell is the critically acclaimed author of First Blood, the novel in which Rambo was created. He holds a Ph. D. in American literature from Penn State and was a professor in the English department at the University of Iowa. His numerous New York Times bestsellers include the classic spy trilogy The Brotherhood of the Rose (the basis for the only television mini-series to premier after a Super Bowl), The Fraternity of the Stone, and The League of Night and Fog. An Edgar, Anthony, and Macavity nominee, Morrell is the recipient of three Bram Stoker awards from the Horror Writers Association as well as the prestigious lifetime Thriller Master Award from the International Thriller Writers’ organization. His writing book, The Successful Novelist, discusses what he has learned in his four decades as an author. He lives in Santa Fe, New Mexico.
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Up for Review: The Accursed

Joyce Carol Oates is one of those highly acclaimed literary authors whose books I’ve been meaning to read for a long time. However, since I tend to favour speculative fiction over literary fiction, it was only when I saw The Accursed, an ”eerie tale of psychological horror” that combines both types of fiction, that I jumped at the chance to start reading Oates’s work. This novel marks a departure from her usual style, so it might not be the best place to start, but I’m looking forward to it nevertheless.

The Accursed by Joyce Carol Oates2The Accursed by Joyce Carol Oates (Fourth Estate)

NetGalley Blurb:

This eerie tale of psychological horror sees the real inhabitants of turn-of-the-century Princeton fall under the influence of a supernatural power.

New Jersey, 1905: soon-to-be commander-in-chief Woodrow Wilson is president of Princeton University. On a neighbouring farm, muck-raking novelist Upton Sinclair, enjoying the success of The Jungle, has taken up residence with his family. Grover Cleveland, fresh out of his second term in the White House has retired to town for a quieter life. Meanwhile, the elite families of Princeton have been beset by a powerful curse—their daughters are disappearing. A young bride on the verge of the altar is seduced and abducted by a dangerously compelling man—a shape-shifting, vaguely European prince who might just be the devil. In the Pine Barrens on the edge of town, a mysterious and persuasive evil takes shape.

When the bride’s brother sets out against all odds to find her, his path will cross those of Princeton’s most formidable people, from presidents past to its brightest literary luminaries, from Mark Twain to Jack London, as he navigates both the idyllic town and the Dante-esque landscape of the Barrens.

An utterly fresh work from Oates, THE ACCURSED marks new territory for the masterful writer–narrated with her unmistakable psychological insight, it combines beautifully transporting historical detail with chilling fantastical elements to stunning effect.

The Accursed will be published on 5 March 2013 by Fourth Estate, an imprint of HarperCollins UK.

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Joyce Carol Oates speaks about the novel on YouTube
The novel at HarperCollins UK

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November Round-Up

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November was a great reading month, although a little slack in terms of reviews.

My first three review books for the month took me beyond mainstream cultural settings. Infidel by Kameron Hurley is the second book in her Bel Dame Apocrypha series, set on the planet Umayma, where two vastly different Islamic nations have been fighting a religious war for two centuries. Continue reading

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September Round-up

I’m on holiday in South Africa again (yay!), which is my excuse for why I was rather quiet last week, and why I’ll remain quiet over the next two weeks, although I’ll try my best to keep reading.

I had a whopping nine eARCs of books that were published in September, but I only managed to read five of them and review four. On the bright side, I managed to finish an 800-page whopper that’s been on my tbr list since it was published in 2010. It wasn’t very good, but that’s life. At least I can say I read it.

But on with the round-up. Please forgive me for using multiple thumbnail images instead of the usual collage – I’m working on my netbook without a mouse, and it’s just too much of a schlep to work with the images. Anyway, I finally posted my review of The Devil in Silver by Victor LaValle, a literary horror novel set in a mental institution in Queens, New York.

I reviewed the two debut novels from new YA published Strange Chemistry. They were ok, but not exactly memorable. Shift by Kim Curran is a sci fi novel about teenagers with the power to undo their decisions. There was plenty of action and wish fulfilment for teenage boys, but too many holes in the worldbuilding for me to ignore.

Blackwood by Gwenda Bond was a better novel. It’s a mystery/romance based on a North American legend known as the Lost Colony. The relationship at the heart of the novel is sweet if a little implausble. There’s plenty of adventure, but the mystery and fantasy aspects of the plot were a let-down.

It’s been a while since I reviewed an indie novel, so I took on Painting by Numbers by Tom Gillespie. It’s a mystery/thriller about a man obsessed with finding a mathematical theory hidden in the details of an obscure Spanish Baroque painting. I liked the premise, and the author writes good conversations, but after a certain point the novel unravels and is ultimately unsatisfying.

The best novel I read in September – not to mention one of the best historical novels I’ve ever read – was the delicious John Saturnall’s Feast by Lawrence Norfolk. It’s a lovely mix of food, history, mythology, romance, conflict and tragedy. Highly recommended, especially for foodies.

Sadly, the next book I finished was one of the worst I’ve ever read - Cry to Heaven  by Anne Rice. I read it for a reading challenge where each participant lists five novels they would take with them if trapped on a deserted island. You have to read one novel from each person’s list. Cry to Heaven was a dreadful choice. If I was stuck with it on a deserted island I’d use it for kindling or toilet paper. It’s a total soap opera about a bunch of boring assholes. Most of it is predictable and it’s filled with boring, angsty whining. Rice’s prose is a hideous shade of purple, and the many sex scenes are written with ridiculous euphemisms. I only finished the novel for the sake of the reading challenge and because I’d committed to a buddy read.

Then I finally finished The Etymologicon by Mark Forsyth, which I’ve been reading slowly over the past few months. It’s described as “A circular stroll through the hidden connections of the English language”, and it’s utterly delightful. It’s funny and odd, full of the weirdest trivia about words. If my boyfriend was ever in the same room with me while I read this, I’d constantly interrupt him with “Hey, did you know….”

Up next was The Passage by Justin Cronin, a post-apocalyptic horror novel featuring vampires. This is the novel that I’ve had on my tbr since it came out. It was very disappointing – a mostly boring, frustrating read that should have been cut down to 400 pages. Instead I had to slog through 800, and none of it was scary. I’ll post my review later this week.

My last review book for the month was Breed by Chase Novak, another item in my search for a horror novel that can actually scare me. I’d heard great things about Breed, a story of a couple who go to extreme measures to have children. Bits of it were unsettling, but it didn’t achieve the desired level of creepiness that I’m looking for. Nevertheless, it was a fairly good book. Review to follow.

I ended the month on a light note with Lords and Ladies by Terry Pratchett. Not one of his best, but charming as always, and I do love the witches.

And now, to continue working on that reading/reviewing backlog… First up for October is the YA post-apocalyptic/dystopian novel Pure by Julianna Baggot.

 

Review of John Saturnall’s Feast by Lawrence Norfolk

Title: John Saturnall’s Feast
Author: Lawrence Norfolk
Published: 04 September 2012 (first published 1 August 2012 by Bloomsbury)
Publisher: Grove Press
Genre: historical, romance
Source: eARC from the publisher via NetGalley
Rating: 8/10

John Saturnall and his mother Susan live in the small village of Buckland in 17th century England. They have a mythical heritage, beginning with the story of the god Saturnus, who created the first garden where “every green thing grew. Every creature thrived. The first men and women lived in amity together. They knew no hunger or pain. Back then, Saturnus’s people kept the Feast.” From what I understand, the Feast is not just a meal, but an act of worship, a kind of knowledge about the natural world, and a generous attitude toward life. Keeping the Feast is about bringing forth life from the earth, nurturing it, and using its bounty to create culinary pleasures that are shared with others. The First Garden is a paradise of abundance and eating:

Date Palms grew in the First Garden. Bees filled the Combs in the Hives and crocuses offered their Saffron. Let the first Dish be great enough for All to dip their Cups. Let the Feast begin with Spiced Wine…

Saturnus created more gardens in the air and the rivers, before planting orchards. Each of these he populated with animals and plants and “[e]ach garden yielded a surpassing dish”. The First Garden was later named Eden by the priests who found it and condemned it for its ‘lust’ and ‘sloth’, declaring the Feast to be greed. They destroyed the garden and drove Saturnus’s people out, scattering them across the world.

This tale finds several parallels in the novel, the first of which happens when Susan is declared a witch, and the leader of a religious cult raises a mob to burn down her home. She and John flee to the forest, where she teaches him about the Feast and his duty to create one of his own. For a while John and his mother live off the land, but when winter comes Susan eventually starves to death in the cold.

John is taken to Buckland Manor, where he’s put to work in the kitchens and taught to cook. He possesses an uncanny sense of smell, which his mother said was “a demon in his throat [...] A demon who knew every smell in Creation”. John’s sense of smell is not as keen as Jean-Baptiste Grenouille’s in Perfume, but it makes him an excellent cook. Cooking is, of course, part of his purpose in keeping the Feast, and is tied up with everything his mother taught him. Part of his duty is creating a book containing his recipes and his knowledge of the ingredients he uses. In between chapters of the novel are extracts from this book, written by an adult John, describing the complex recipes for the decadent dishes made in 17th century kitchens for nobles and royals.

These recipes are almost beyond belief. Everything is made from scratch of course, and every recipe sounded like it would take at a day to make, often requiring hours of mundane effort or close attention. Some dishes are ludicrously decadent, like an entire wild boar stuffed with as many other carcasses as can fit inside it – “a Sheep, a Kid, a Lamb, a Goose, a Capon” and so on, each ‘stuffing’ smaller than the last. How anyone ate that, I don’t know. The Spiced Wine on the other hand, sounds so rich and delicious as to be mythical; I can’t imagine anyone today going to the effort it takes to make it.

The quantity of food that goes in and out of the kitchen is staggering (and mouth-watering). Fresh produces arrives daily or comes straight from the land, lakes, and fields of the manor – fruits, vegetables, fowl, fish, meat, nuts, honey, milk and herbs. I hadn’t heard of many of the ingredients, but I still wanted to try almost every concoction.

Bloomsbury edition

The food, as you may have guessed, was my favourite thing about this beautifully written novel. ‘Sensual’ will probably be the word most often used to describe it, and I must have been sighing with longing as I read. I also had to admire Norfolk’s depiction of a 17th century kitchen and the household it serves. John Saturnall’s Feast is superb historical fiction, transporting you effortlessly into the life of this small but vibrant world. The kitchen is sort of a class of its own, with its own rules and hierarchies. For example, no stranger, no matter how noble, is allowed to enter the kitchens without the permission of an officer of the kitchen. The kitchen itself is huge, with rooms for things like curing meats, spices, and wines. For most of the staff it’s not just a workplace but a home, where they sleep on pallets on the floor.

John starts out in the scullery, where he washes dishes for hours on end, barely raising his head. Then, he learns the minutiae of cooking techniques. Later, he cooks for hours on end paying careful attention to every detail. And that’s just a normal day. When the Manor is host to guests, the work intensifies. When banquets are held, the servants struggle upstairs to the dining room, groaning under the weight of immense dishes or tureens of spiced wine. The sad thing is that the people who work the kitchens from morning to night are never seen to enjoy the delicious things they make. In between shifts, they sit down to a bit of bread (but not the good bread) and porridge. At best, the cooks sample their dishes before sending them upstairs. It’s all a matter of class, and no one questions it. From John’s perspective in the kitchen, it seems like the nobility and the Household do nothing but eat, while the kitchen staff do nothing but prepare food and wash dishes.

Other parts of the narrative give us a glimpse of what’s going on upstairs – a completely different world where the kitchen is seldom mentioned. It seems bizarre, at times, that people are NOT thinking about the hive of activity going on in the kitchen beneath them. But, as Norfolk mentioned in a video about the book the people upstairs would probably never come down to the kitchens. Most of the household parts are told from the perspective of Lady Lucretia, the daughter of the Lord of Buckland. Lucretia is a child when we first see her, and she has an odd habit of fasting, as her mother used to do. Whatever her reasons, it seems insane for her to eschew food when you know how much effort goes into cooking it for her.

John’s great culinary challenge comes about a decade after his arrival at Buckland. He’s called to cook for Lucretia after she goes on a hunger strike to protest her betrothal to a boy she can’t stand. A family dictate prevents her (or any woman) from inheriting the Buckland estate, and to avoid losing it she has to marry into a related family. John’s task is to cook something so delicious, that even Lucretia will not be able to resist it. If she ends her fast, she is essentially submitting to betrothal. Every day John cooks for hours and then waits patiently while she ignores him and his dishes. A tragedy, I thought. I would have given in the moment John described one of his many sublime creations, and found myself married to a buffoon for the sake of dessert. But Lucretia has more determination than that, and John’s daily ritual is the beginning of a romance that’s doomed from the start. Not only are the pair thwarted by the necessity of Lucretia’s marriage, but they’re soon separated when the Cromwellian civil war breaks out.

The novel becomes violent and tragic from here on, even though poor John only goes to war as a cook. The heavier themes come to the fore – duty, family legacy, and the contrast between religious fanaticism and the peaceful unity of the Feast. Throughout the novel, Norfolk elegantly entwines these themes with food, myth and history, and the whole is a beautiful, delectable, and touching. It can be a tad slow at times, but this is a book to savour, not a page-turner. Given what Norfolk has achieved here, I wouldn’t hesitate to pick up one of his other historical novels, even though I don’t often dabble in this genre. There are some books that simply defy preference. If you love food, you should read this. If you love historical fiction about this period, you should read this. But mostly you should just read it because it’s a lovely piece of storytelling.

 

Buy John Saturnall’s Feast at The Book Depository

Up for Review: Something Red

This sounds like something that’s best read in the dead of winter. Which, for me, has passed, but it’s still cold enough that I sometimes wonder what the hell is wrong with characters who leave the house in shorts. And how can I say no to “shapeshifters, Irish battle queens, Norman knights, Templars, pilgrims, Saracens, a Lithuanian noblewoman, warrior monks, strong—even dangerous—women, and ten murderous mastiffs”?

Something Red by Douglas Nicholas (Atria Books)

Marketing copy from NetGalley:

During the 1200s in northwest England, in one of the coldest winters in living memory, a formidable middle-aged Irishwoman and the troupe she leads are trying to drive their three wagons across the mountains before the heavy snows set in. Molly, her powerful and enigmatic lover, her fey granddaughter, and her young apprentice, soon discover that something terrible prowls the woods. As the group travels from refuge to refuge, it becomes apparent that the mysterious evil force must be faced and defeated—or else they will surely die.
An intoxicating and spirited blend of fantasy, mythology, and history, Something Red features the most fascinating of characters including shapeshifters, Irish battle queens, Norman knights, Templars, pilgrims, Saracens, a Lithuanian noblewoman, warrior monks, strong—even dangerous—women, and ten murderous mastiffs, as well as an epic snowstorm that an early reader described as “one of the coldest scenes since Snow Falling on Cedars.”

Something Red is being published today (18 September) by Atria Books, and imprint of Simon & Schuster. It’s available in hardcover and eBook formats.

Buy a copy:
The Book Depository
Amazon: Hardcover / eBook
Simon & Schuster

About the Author
Douglas Nicholas is an award-winning poet whose work has appeared in numerous poetry journals, and the author of four previous books including Iron Rose, a collection of poems inspired by New York City. He lives in New York’s Hudson Valley.  - from NetGalley
Author profile at Simon & Schuster
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Up for Review: The White Forest

Despite the crap cover – yet another girl in a big dress with her back to the the viewer; haven’t we seen enough of this shit? – I was intrigued by the plot, particularly the part about the protagonist being “able to hear the souls of man-made objects”.

And I’m trying not to be so prejudiced against books with these lame covers.

The White Forest by Adam McOmbre (Touchstone)

Marketing copy from NetGalley:

Jane Silverlake is a lonely young woman with a strange, inexplicable gift – ever since her mother’s mysterious death she has been able to hear the souls of man-made objects. The frightening sounds from the artifacts in her father’s crumbling estate on the edge of Hampstead Heath plague her constantly, but she finds solace in the peaceful silence she hears from nature. Jane is happiest when exploring the heath with her only companions, Madeline Lee and Nathan Ashe.  Nathan’s fascination with the mysterious young woman compels him to try and understand Jane’s odd talent and sparks his intense interest in a secretive cult led by Ariston Day, a charismatic mystic. Competing for Nathan’s attention drives a wedge between Madeline and Jane; their cherished friendships evolve into a complicated love triangle.

Suddenly Nathan disappears from the streets of Victorian London without a trace. The famed Inspector Vidocq arrives to attempt to untangle the events that led to his disappearance; however, Jane quickly discovers she can trust no one. In order to save everything she holds dear, she must infiltrate Ariston Day’s mysterious secret society, discover the origins of her talent and use it to find Nathan herself, before it’s too late.  This search will lead Jane to a place beyond her wildest imaginings and will reveal vast reserves of power and strength within her she never dreamed she possessed.

Both hauntingly beautiful and rigorously researched, THE WHITE FOREST lures readers into a dark, mythic world full of  epic danger and surprises as McOmber’s compelling, distinctive heroine uncovers her true identity and is deeply empowered by that knowledge.

The White Forest was published on 11 September by Touchstone, an imprint of Simon & Schuster

Links:
Website for the novel
Video of Adam McOmber talking about The White Forest
Order it from The Book Depository
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About the Author
Adam McOmber teaches creative writing at Columbia College Chicago and is the associate editor of the literary magazine Hotel Amerika. Stories from his collection, This New and Poisonous Air, have been shortlisted for Best American Fantasy and nominated for two Pushcart Prizes in 2012. - from NetGalley
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