Sea Change… it looked so very lovely and turned out to be so very awful. How did it all go wrong? I wasn’t deceived by hype; there is none. I wasn’t deceived by the enticing blurb, which turned out to be a fair approximation of the book. And the story is mostly what I expected.
Lilly is a lonely young girl living with unhappily married parents. As commoners who have been given titles and property, they are awkwardly conscious of living up to their new nobility. Much is expected of Lilly as well, but the townspeople think she’s witch because of the large red birthmark on her face. As a result she grows up without any friends, except for Octavius, a kraken.
Lilly meets him when she’s eight years old and he is just a little octopus, small enough to sit on her shoulder. She asks him not to be a monster – not to eat human beings. He agrees, in exchange for her company and conversation. They remain friends for years, swapping stories about humanity and life in the ocean. Octavius remains a constant while Lilly’s home life falls apart. At fifteen, she leaves home, but Octavius has disappeared. She offers a troll “Anything that is mine” as payment for learning where Octavius is. After making a terrible sacrifice, she learns that he was captured and sold to a circus, unable to defend himself because of the promise he made to Lilly not to harm humans.
Devastated, Lilly goes on a quest to free her friend. The circus master wants a coat of illusions in exchange for the kraken. To get the coat, Lilly must rescue an undead tailor from the bandits who captured him. To free the tailor, she must help a witch retrieve her skin, which means living with the bandits who stole it from her. The quest is a dangerous and she undergoes more than one ‘sea change’ (profound transformation) for the sake of her friendship with Octavius.
There are many things I love about this story: the friendship between a lonely young girl and a sea monster; the journey and quest plot; the fairytale style of the quest. When I read it, I found otherf things that weren’t mentioned in the blurb, like the interesting things the plot does with gender and sexuality, or the way it doesn’t shy away from shocking content.
And I still hated it.
Why? The writing is the main reason. It’s terrible. Wheeler goes for a kind of Shakespearean style that doesn’t quite work. I can’t put my finger on what exactly is wrong with it; it’s just wrong. It’s also inconsistent, veering from casual to absurdly stiff and formal. More importantly, it’s confused and confusing. Too often it’s unclear who characters are talking to or what they mean. Character motives and plot details tend to be vague and as a result, lots of things just seem to happen at random.
And although I liked the various elements of the plot, reading it was… pretty boring. It might have been the pace. It sort of plods along without anything feeling particularly exciting even when it’s momentous. It became extremely tedious when Lilly found the bandits and lived with them as their servant for about five months. At this point I seriously debated giving up. It reminded me of the sloppier kind of indie novel – clumsy and unfocused, giving the impression that the author never invested in beta readers.
There were lots of things I would have asked the author to reconsider, like how Christianity can be a dominant religion in a world with magic, trolls, witches, talking mythical creatures, zombies, automatons, and a sentient mule in the body of a boy. How Octavius survives on dry land, not only during trips with Lilly but for several months at the circus. Or why Lilly doesn’t fully confront the sacrifices she has to make to free Octavius. The latter is a major problem – Lilly endures so much, and the story can be can be brutal, but in ways that could make it incredibly powerful and thought-provoking. However, I don’t think that either Lilly or the narrative as a whole really confronts what happens to her. It’s not ignored, but I think the author could have done so much more.
I don’t think I’ve ever been so disappointed by a novel with so much potential. This should have been the kind of book I immediately bought in hardcover as an entertaining, gender-bending, heart-warming, heart-breaking, overall mind-blowing piece of fairytale-inspired fiction. Instead I was relieved when it was over.
HOWEVER, I have to add that there are reasons you might want to read it anyway, especially if you’re interested in gender/sexuality, especially in the YA genre. This is actually something I wanted to discuss in detail, but that requires spoilers and would make this review unnecessarily long. What I’m going to do then is write a separate post about those issues. If you just wanted a basic review, this is all you need to read. But if you’ve read the book, dnf’d it but are still curious, or you’re willing to read a few spoilers (I won’t reveal all) to decide if you’d like to read it, I hope you’ll check out next week’s post and let me know what you think.