Hey everyone and welcome to Part One of the Two Serpents Rise read-along! After having such a good time with Three Parts Dead, the first in Max Gladstone’s Craft Sequence, we decided to jump into a read-along of book two. Our host is Susan from Dab of Darkness, so be sure to hop over to her blog for links to everyone else’s posts. I might also post a list of links once they’re available. And er, if I remember…
But nevermind that, on with the questions. This discussion covers Part One of the novel, and I think it’s suitably spoiler-free for you to read even if you haven’t read this content or book one.
Poison in the Bright Mirror reservoir! What are your thoughts on the infestation? Then an explosion later on! Any ideas of who is the culprit yet? Are the two events related?
I assume they must be related, and I’m pretty sure that Temoc is telling the truth when he says he’s not responsible. I’m suspicious of Alaxic and The Red King, although that’s partly because there just aren’t that many suspects to choose from, and I don’t understand the situation well enough yet to figure out who stands to gain and sketch out a suspect we haven’t met yet.
What I can glean is that the culprit plans to sabotage the city’s basic infrastructure, given that they’re targeted the water and electricity supply. This will hit the general public hard, so I would guess that whever they want to achieve involves the masses being scared and desperate. With both events, they used something from the old, mythological world (a demon, a god). So perhaps someone is trying to demonstrate the anger and power of the gods and reinstate the old order? Or use that as a ruse to take power by purging the old gods and their creatures once and for all?
Let’s talk about Mal and the sport of cliff running. Care to compare this sport to one here in our real world? What do you think Mal gets out of the sport?
Cliffrunning reminds me of parkour. I would guess that Mal loves the adrenaline, and the freedom of not being restricted to moving on the ground. I often look at my cat and wonder how different the world might look if I were so agile that every surface presented itself as a place to jump from or to, if I could move around at any level between the ground and the rooftops, and simply leap over obstacles. It must feel quite rebellious and liberating. It’s even more so in this case, since cliffrunning is illegal. The cliffrunners personify defiance. As such, they’re an interesting contrast to the very strict way the city is structured and maintained – the contracts binding everything, the frightening Wardens keeping the peace.
Are you enjoying the deities and culture this book is infused with? Has any of the architecture wowed or frightened you?
Definitely! I mean, when we’re talking gods and mythology I’m already there like a bear, and it’s nice to mix it up with some Aztec mythology for a change. It’s so bloody and dramatic with all the sacrifices and fascinating creatures. I might sign up as a Warden if it means I get to ride a Couatl!
I love the way everything is bound by contracts of Craft and that Caleb could use that to chase Mal. I also thought Kopil’s obsidian pyramid was very cool, although I’m inclined to be wowed rather than frightened since I get to enjoy it all at a distance. I’m fairly certain I’ll never have to attend a meeting where the table is a massive stone altar drenched in the blood of countless victims, so I’m free to appreciate how incredibly badass that is. My desk just used to be a dining table.
The Red King is a pretty serious guy. Will he make the deal with Alaxic concerning the powerhouses known as Achel & Aquel?
I’m not sure what the environmental consequences of this would be (but it probably starts with killing a lot of ocean life), but aside from that it sounds like an excellent idea. Unlimited energy and a new supply of fresh water? Life in the city might improve drastically, so it seems that The Red King would be inclined to make this deal. Of course the downside is that you need to keep the serpents asleep so they don’t rise up and kill everyone… And based on the title, that’s exactly what’s going to happen, unless there’s a twist somewhere.
Is this perhaps an analogy for nuclear power? Some argue that it’s clean and sustainable, others argue that it’s too dangerous and destructive.
Finally, Caleb has a wealth of scars, linguistic skills, and a complex relationship with his father. Discuss!
Caleb reminds me of Tara in several ways – he’s rebelling against his origins, he’s very good at what he does, he has a tendency to be reckless, and he notes that his employers have given him “a wonderful opportunity to fail”. His scars also remind me of Tara’s sigils, although it seems that Caleb’s are frowned upon. Tara was also at the beginning of her career, whereas Caleb’s been in the game for a while and people are worrying that he’s lost his edge as a result. Now it seems that he’s about to undergo a period of re-self-discovery, thanks to Mal and his determination to help her.
In book one we saw religious and non-religious characters working together and challenging each other’s points of view. It’s an interesting clash of minds, and I think it might be the same here, with Caleb and his father. Although it seems that their relationship has made Caleb very hostile to religion: human sacrifices and scars aren’t quite as appealing as Christmas and Easter eggs for convincing children to be faithful, I’m sure. That said, Caleb’s background does have some benefits: I love the way he can speak fluent High Quechal to the religious fanatics who stumble through the language.
– I don’t think I mentioned this in the previous read-along, but I find it quite strange that you can pay animals like rats and horses for providing a service. Do the animals then exchange that for food and shelter? Are they smarter than the animals of our world
– Another oddity in both books is the fashion. It’s very modern – jeans, business suits – while the setting is sort of steampunk Victorian. It’s a strange combination that I can’t quite imagine, although I would guess that neither looks exactly like we know it to be; the designs would be a mixture of old and new, so that the jeans don’t look quite like our jeans, and the carriages aren’t quite like traditional carriages. Frankly, I’m not sure if this combination really works, but I’d love to see an artist’s rendition of it.
– I love that valuable items can be cursed so that terrible things happen to the thief until the item is returned! Way better than insurance.
– When the Wardens pitch up at his apartment, Caleb hopes that there’s “[n]othing incriminating about a woman spending the night at a single man’s house.” Interesting bit of worldbuilding here – suggests that society has only recently become more liberal. Caleb doesn’t think there’s anything wrong with Mal being there, but it still occurs to him that there could be.
– Kopil’s reveal about his lover was surprisingly touching, considering that he’s a frightening, six-foot-tall skeleton. I wonder how that will play into the story.