Apologies to fellow read-along bloggers! I’m a bit late with the first post after having to work on an unexpectedly long assignment for the course I’m doing. But hey, I managed to finish this post before going to sleep, so I call that a win :D
For those who don’t know what the hell I’m talking about, this is my first post for the read-along of Three Parts Dead (Craft Sequence #1) by Max Gladstone. Like my previous urban fantasy read-alongs (the Gentleman Bastard series by Scott Lynch and The Inheritance Cycle by N.K. Jemisin), this one looks like it’s going to be a great read with fascinating, quirky worldbuilding and complex characters.
If you’d like to follow the read-along or participate, you’ll find the schedule here. Part one only covers the first 100 words or so (the Prologue to the end of Chapter 8 [Edit: that should be the end of Chapter 7]), so you can catch up easily. However, this post will contain spoilers for those chapters; you’ve been warned!
Our host for this part is Lynn from Lynn’s Book Blog, and I’m going to tackle her questions without further ado:
[Edit: So I stupidly misread the schedule and read all the way to the end of Chapter 8 when I should have stopped at Chapter 7. As a result, this post also includes comments about Chapter 8. Apologies if I’ve spoilt anything for you!]
1. Max Gladstone isn’t holding any hands here, we’re dropped straight into the world (which is a bit ironic given the start – but I’ll get to that) and expected to pick up and run with it. Are you enjoying the style and, more to the point, what ‘reveals’ have been the most surprising for you so far?
This kind of style might mean I have to work a bit harder as a reader, but I like it. Getting all the necessary worldbuilidng in a nice, clear infodump can be great when that infodump happens to be an awesome story in itself, but most of the time it’s more like pausing to read a Wikipedia article. So yeah, I like the way Gladstone is building his world as the story develops. I also find it very intriguing – the world is unfolding much like the mystery in the plot, and I can’t wait to see what comes next.
Surprises? Quite a few!
- technician monks (interesting combo of engineering and religion)
- Vampires. Nothing new, obviously, but I didn’t expect to encounter them here. I admit I was a wee bit annoyed when I realised there were vampires, since they’ve become such a cliché, but so far Gladstone has proven himself with great worldbuilding, so I trust him.
- A yellow smiley face on a coffee mug. Yeah, ok, I don’t know what to do about this one. It really throws me off
- Smoking as an act of spiritual devotion to a fire god. Which actually makes a lot of sense. I also loved the contrast in the first scene of Abelard doing all his holy monk duties and then lighting a cigarette.
- Tara’s skills in forensic pathology – very impressive!
- Abelard being unable to understand the concept of a newspaper. This really says a lot about Alt Coulumb and how it relates to the rest of the world. Some excellent worldbuilding there.
- Cat being Justice and using her power to awesome effect at the end of chapter eight. Not only does it lend an interesting dynamic to her character (who I’d sort of dismissed as a useful but hopeless junkie), it also makes the Justice more of a grey area (after I’d mostly dismissed them as being authoritarian and therefore probably evil).
2. At the start of the book Tara graduates and is cast out of school (literally from a great height) simultaneously – any ideas about why that might be?
Well, her successful attempt to examine Cabot’s body shows that she’s got a strong sense of curiosity and is not afraid to take initiative. That’s also demonstrated by the way she seems to have left home to study at the Hidden Schools, despite the fact that the people around her were a lot more parochial. So my first guess is that she studied and/or experimented with something that the Schools did not approve of. Presumably she was successful, or Ms Kevarian would not have hired her. However, there’s clearly something very dodgy or at least unethical about what Tara did, based on the circumstances of her graduation and the firm’s reluctance to hire her without a probation period.
It might have something to do with controlling other people. She’s skilled at bringing people back from the dead. Then there’s a moment when she considers taking control of the bouncer, but decides not to when she thinks back on her graduation. Soon after, she’s quick to figure out that someone is controlling Raz. Skills like that would be both highly desirable and extremely controversial.
3. I’m always interested in the magical systems and how they work and the one here seems to almost be a ‘payback’ type of affair. What are your thoughts about the magical system so far, we do have a dead deity after all, not to mention it appears that regular everyday people can access magic as well as deities. Discuss please (if only to enlighten my tiny brain!)
Gah, it’s after midnight and I’m not sure my brain has the power to enlighten anyone else’s! Also, magic systems aren’t my strong point, although this one certainly does intrigue me more than most. It’s very “lawyerish” :) I don’t mean that in a bad way; if anything it makes the whole profession seem really cool in a way that is somehow more realistic than the flashy lawyer tactics you see in legal dramas. Craftswomen and men can negotiate with the fabric of the universe – or at least that’s my understanding. This allows them to do all sorts of mundane legal magic, but also gives them the power to kill and resurrect gods. In fact, it’s a way for humans to become god-like, with gods and humans separated by the level of their skills. I’m fascinated by the possibilities here.
What also intrigued me is that people use soulstuff for currency, and metal coins are the means of passing soulstuff around, but have little value in themselves. So if you made an excessive purchase or bargain, would you literally be selling your soul?
4. We’re only a third in but how are you feeling towards the characters so far. are you developing any favourites already, any sneaky suspicions of any of the characters or are you loving them all?
The only ones I’m suspicious of are Shale the gargoyle and Cardinal Gustave. Otherwise, I like all the characters so far, and I particularly like the fact that none of them feel like cliches. Abelard seemed to be a typically naïve young monk, until he grinned at the prospect of trawling through vampire bars in the Pleasure Quarter and hooked Tara up with Cat (how on earth do they know each other?). And as I mentioned in the first answer, I’m curious about Cat now that I know she’s also a Justice.
I like the way Tara seems to have risen above the circumstances of her birth, sometimes literally, like when Ms Kevarian is flying them over farms and village and Tara is thinking about how the people down there never saw much beyond their little homes. I think it’s also telling that after she falls from the Hidden Schools, she goes back to her backwater home, making her fall both literal and figurative. And then she is almost chased out with torches and pitchforks… She doesn’t seem to have too much to worry about though; she seems extremely competent and professional; I wish I was that skilled.
She reminds me a bit of Shara from City of Stairs by Robert Jackson Bennett – like Shara, Tara’s skill lies in her ability to think and study, and that makes her powerful and dangerous, rather than any physical prowess or traditional martial art. In fact, Shara might have been inspired by Tara.
And now let me get some sleep while I still can. I’ll go blog hopping and round up the links tomorrow. Or rather, later tomorrow :)
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