The Year of the Flood‘s plot runs parallel to Oryx and Crake, but it’s set in the pleebland slums, rather than the secure, sterile Compounds of the scientific elite. The pleeblands are where everyone else lives. It’s violent, and rife with diseases and infections (some of which come from the Compounds who test viruses or make money selling cures).
The story follows the God’s Gardeners, believers in a green religion founded by Adam One, with leaders known as Adams and Eves. The Gardener’s faith is a pacifist, eco-friendly interpretation of the Christian Bible. They are strictly vegetarian, respect the lives of all creatures, shun technology, recycle absolutely everything, avoid the processed food and medications produced by corporations, and spend their days living a quiet agrarian existence amidst the chaos of the pleeblands. They lament the gross environmental destruction wreaked by Corporations, and await the Waterless Flood – the apocalypse.
Of course, we know from Oryx and Crake that this Flood will take the form of a plague designed by Crake. It comes in Gardener Year 25, which is when the novel opens. Toby is hiding out at the AnooYoo Spa where she was working. Many of the treatments are edible or at least useful, she’s got a rifle for protection, and draws on her Gardner knowledge to grow food. Ren is locked inside the quarantine room of Scales and Tails, the strip club where she worked. Being locked up saved her from the riots that followed the outbreak of the plague, but now she’s counting on her childhood friend Amanda to find her and unlock the door before she starves to death.
Punctuating this present-day narrative are the Gardener Years 1-24. Each year/section begins with a sermon from Adam One and a hymn, then follows the stories of Toby and Ren. The Gardeners rescue Toby from a rapist who was certain to kill her. She’s not a true believer, but she adapts to their lifestyle and finds a home. Ren went to live with the Gardeners as a child, when her mother ran away from the Compounds with a Gardener named Zeb. She later made friends with Amanda, a smart, tough pleebrat, and invited her to join the Gardeners.
It’s not as dramatic as Oryx and Crake, since it covers the same time period, and focuses on the people who are disempowered and, unlike Jimmy, have very little contact with the forces that define their society. And I prefer Oryx and Crake if only because it had the kind of impact on me that very few novels could ever match. Nevertheless, The Year of the Flood is a superb piece of painfully dystopian science fiction in its own right, and a beguiling literary novel. Oryx and Crake was a bit different for Atwood in that it had a male protagonist. With The Year of the Flood she’s back in her element with two female protagonists and a larger cast of female characters. Like Oryx, they live in a world where sexual predators are a constant threat, and Toby’s story of sexual abuse is reminiscent of Oryx’s, as is Ren’s decision to become a sex worker at Scales and Tales. Ren actually sees Oryx when Crake brings her to Scales and Tales late in the novel, and Ren immediately recognises her as a fellow sex worker, charming the people around her while hiding her own identity. In that moment, she seems to understand more about Oryx than Jimmy was ever able to.
Ren has her own disappointing experiences with Jimmy, who becomes her lover when they’re teenagers but eventually gives her his damaged-boy-who-can’t-commit speech. Toby also spots Jimmy as Snowman, leading the singing Crakers from the Paradice Dome to the shore. They’re so bizarre that Toby assumes she must be hallucinating. I think it’s the first time we see Jimmy from another perspective, and the first of several occasions when we get a fresh perspective on exactly how dysfunctional Jimmy/Snowman is.
The novel often intersects with Oryx and Crake like this, filling in little details. Besides Jimmy and Oryx, we encounter other familiar characters like Glenn/Crake, Jimmy’s mother, Bernice (Jimmy’s crazy roommate who set his shoes on fire), and MaddAddam. There are lots of familiar details of the world – Extinctathon, Happicuppa, ChickieNobs, AnooYoo, pigoons – and a few new things, like liobams (a lion/lamb splice) and Mo’Hair sheep (genetically engineered to grow human hair in a wide range of colours, although the wigs sometimes smell like meat).
As a child, Glenn had a connection to the Gardeners, many of whom are scientists who escaped the Compounds, and it’s clear that his actions were strongly influenced by their ideas. Adam One describes how the Waterless Flood will wash away the “Exfernal” world, destroying what man has built so that the natural world can flourish again, which what Crake attempted to do with his plague. His design for the Crakers also reflects the Gardeners’ lifestyle in some ways – they’re purely vegetarian, non-violent, and live happily with the bare minimum of industry. In some ways the Crakers are a perfected version of the Gardeners, who they smell bad, look scruffy, complain about inconveniences, need technology, and often break their own rules.
Obviously the one thing Crake didn’t like about the Gardeners was the whole idea of religion, which he tried (and failed) to eradicate in the Crakers. And although the Gardeners have many admirable ideas, their faith still suffers from the kinds of absurdities and hypocrisies common to religion. They’re wary of writing, but use the bible. They consider knowledge to be poisonous, but benefit greatly from the knowledge of the scientists among them. They rely on things they scavenge, which in some cases means living off things they consider evil.
Not surprisingly for a small community full of social misfits and outcasts, they also have problems with sexual harassment and abuse, but women and children are told to keep quiet about these things. Sharing personal problems is discouraged, some serious psychological problems are dismissed as a form of meditation, and voicing doubts is taboo. Toby in particular finds this troubling, but because she lives in constant terror that her rapist will find her and kill her, so she has no intention of leaving the Gardeners.
But then again, Atwood hasn’t written a world where anyone’s figured out clean, noble answers to the massively complicated problems plaguing society. It’s easy to be thoroughly evil – like a corporation that razes rainforests to plant coffee or a man who rapes women to death – but fixing a world full of these evils is almost unimaginable. A few people, like the man/group MaddAddam that is created in this novel, are bold enough to rebel. Only Crake, the mad genius, actually takes any major action, countering a million horrors with one massive one.
Most people, like Ren and Toby, are caught up in this world they have little control over, and the appeal of The Year of the Flood is this grassroots perspective. Which is not to say they’re weak – Amanda, Ren and Toby all show amazing resilience and adaptability, unlike Jimmy, who was always a bit unstable and degenerated into a sickly, naked nut job waving a gun at three strangers on a beach. If the ambiguity of that ending bothered you, by the way, rest assured that The Year of the Flood will take you back to that beach and resolve that scene, leaving the final book, MaddAddam, to pick up the story from there. As always with Atwood, it’s beautifully written and a pleasure to read, but also brutal and terrifying. This trilogy envisions one of the most disturbing futures I’ve ever read, but the books are so amazing I can’t look away.