Title: Dark Windows
Author: Louis Greenberg
Published: April 2014
Source: ARC from the publisher
Genre: literary fiction, speculative fiction
It’s apt that I finished this review on the day of South Africa’s general elections: Dark Windows is based on a fantasy of a political party that makes our country’s dreams come true. In an alternative South Africa, the Gaia Peace party has been in power for the past ten years. Somehow, its combination of New Age beliefs and social welfare policies have ‘cured’ crime. Johannesburg, previously known as one of the world’s most dangerous cities, is now peaceful and safe.
Unfortunately it all seems too good to last. Not everyone buys into Gaia Peace’s happy hippie miracle and Joburg is growing restless with the threat of violence. At the same time, Minister of Wellness Meg Hewitt is quietly setting Project Dark Windows in motion to prepare for some mystical, world-changing event. Something momentous is about to happen, but no one knows what’s coming. Is it aliens? The apocalypse? A new age of enlightenment? Or just social upheaval?
Kenneth Lang has spent 35 years working in government, from the apartheid regime through the ANC years to Gaia Peace. He holds a vaguely titled but senior position and specialises in strange, unofficial operations, so Meg Hewitt instructs him to handle Project Dark Windows. The requirements are simple and specific: Find five rooms, within a target area, that have been left vacant after the death of the occupant. Clean the windows and paint them black. Set up motion and heat detectors, then lock up. Lang has no idea what the point is, but he complies partly because he’s intrigued and partly because his job has taught him to shut up and follow orders.
Lang hires Jay Rowan, who’s been doing weird, sporadic jobs for him since the 90s. Jay is reliable and discreet, but after having his life fall apart over the past year, he also wants to “show he’s good for something, even if it’s obscure and vaguely ridiculous government work”.
The best thing in Jay’s life at the moment is his affair with a married woman named Beth. He takes her to one of the Dark Windows’ sites, where they learn about the supposed suicides of the two girls who lived there. Beth is moved by the girls’ stories and endeavours to learn more. Her investigation leads her to a suspicious student protest group while reminding her of the dark secrets of her past. Political stories intertwine with personal ones, and Joburg moves slowly toward an unknown possibility.
You might think that the idea of a New Age political party called Gaia Peace is as absurd as I did, but I think that’s the point. Many of the characters feel that way too. In fact, none of them – with the possible exception of the President – can really take the New Age stuff seriously, although most play along. No one is sure exactly how a party like Gaia Peace succeeded in a country like South Africa.
The very idea really is ludicrous partly because it’s so kooky (with the herbal tea and healing colours) and partly because the majority of South Africans are just too conservative. For example, the president in Dark Windows is a black lesbian in a interracial marriage. I can’t imagine how that could possibly happen given that our current, democratically elected president is a barely-educated traditionalist who doesn’t seem to know about the women’s and gay rights in our constitution. Despite his blatant corruption, people still support him because he’s ANC, but most would never support a gay woman.
Gaia Peace’s policies also include security reduction – most of the locks, gates and alarm systems that South Africans would consider essential to their safety are now illegal. Again, it seems impossible that our society could give this up, although in this case there are people railing against it:
These protesters were once children who slept safely knowing their daddy owned a gun. They want their talismans back; they need the comforting confinement of battle lines.
How did a bunch of “hippie activists” do it? Lang works in the presidency and he doesn’t even understand it.
What’s stopping people, is what he wants to know. Even if it’s true that all their basic needs are seen to, do people just stop being greedy; do they just stop wanting quick and easy gains? Surely greed – our instinctive urge to stockpile – is far more hardwired into the human psyche than social harmony? Has humanity really evolved so much in the past few years?
It looks like they have, but it’s still hard to believe the evidence. A student protest group called Out of Our Minds suggests that it’s all mind control. The words “miracle” and “hoax” are often used. Some people seem opposed to the party just because they can’t believe what it’s achieved. It’s “hard for disillusioned people to buy new illusions”, as Jay suggests. The novel doesn’t offer a satisfying explanation; what’s more important is the way people feel about it, and what it means in this context.
I think the absurdity of a New Age party revolutionising our political landscape reflects a sad truth about South Africans – we’re so disillusioned that the idea of a truly progressive government that minimises crime, corruption and nepotism, while providing quality education and healthcare for all is just ridiculous. If you believe that one of our political parties will deliver this then you might as well believe in colour therapy and Reiki too.
Then again, perhaps belief is all you need, and this is another important issue that Gaia Peace raises. As I said, no one seems to believe in any of the New Age stuff, but lots of people are happy to play along because it works. “[T]hings sure as shit could be better, but they sure as shit have been worse” is the refrain. It’s also just kind of nice and inoffensive. In one of the earlier scenes, Jay goes for the hot-rock therapy that he receives as part of his probation after getting into a drunk driving accident. He considers the idea that it’s abusive somehow, with the state asserting control over his body, but he’s warm and comfortable so what is there to complain about really?
But there are problems. Gaia Peace isn’t perfect, or can’t be perfect. At least it’s not the dystopian scenario you might expect – Gaia Peace doesn’t have a sinister side that enabled their rise to power. They’re exactly what they say they are. As Greenberg states in a guest post for Lauren Beukes about his inspiration for the book, it’s “not a dystopian novel but rather a vision of utopia rubbing up against reality”. Reality is human nature. Reality is a country with a long history of violence. Reality is the people who can’t forget being victims of violent crime. Jay is one of them. He likes Gaia Peace, but when his wife was sexually assaulted in their home, violent crime had become a kind of political blind spot. Her trauma was “made invisible”. “How do you achieve justice for something that didn’t officially happen?” Jay asks, with no hope of an answer.
Jay’s concerns bring me to another important point about the novel – despite the political framework, it’s very personal. All the major characters are grappling with their own issues. Jay looks to Beth for comfort and escape. When he stands silent in the darkness of the rooms he’s painted, he likens it to Beth and imagines her as a warm, dark space where he can hide from the world. Beth on the other hand enjoys the affair for its sinful passion – a way of escaping her unfulfilling marriage to a boring, strictly Catholic man. She thought adopting his religion would help her find some kind of meaning, but it hasn’t. Now, what she wants is for Jay to “clarify” her. She’s also seeking some kind of atonement for an event in her past, which is primarily why she takes such an interest in the suicides of the teenage girls.
Kenneth Lang is coming to the end of a career that is partly responsible for his failed marriage and his awkward relationship with his teenage daughter, Melanie. When Melanie ends up in hospital after a drug overdose, he finds himself pulled back and forth between work and the hospital, struggling to function effectively in either space. To a lesser extent we also see the struggles of Minister Meg Hewitt, who is also the President’s wife. As much as she loves and supports her wife, she doesn’t want to be the next ruler as the President has requested. She’s kept Project Dark Windows secret from her too. Partly because of this marital strife, Deputy President Kanyane lurks malevolently in the background, ready to assert police and military power should anything happen to the President.
Although their problems are varied, these characters are all looking for purpose and certainty where there isn’t much to be had. They want some kind of belief or understanding to hang on to, but objective truths elude them. Project Dark Windows has the same kind of personal desperation to it. It could be total bullshit, or could be epochal, but who knows what will happen? In the context of the novel, it’s just as important as the truth about the suicides, Beth’s decision to stay with Jay, or Lang’s relationship with his daughter. Greenberg’s guest post has a lovely quote about the way he’s balanced the personal and political:
I treated the politics and the love and the faith and the apocalypse in the novel with equal ambivalence. Despite my best efforts, I find it hard to draw an opinion and stick to it; the more I learn about life the less virtue I find in firm opinions and immutable beliefs.
It’s understandable then that this book never ceases to be uncertain and, at the end, offers as many unanswered questions as it does resolutions. It’s the kind of literary novel that will frustrate some spec fic readers because it’s very slow and contemplative. I have to admit that I wasn’t sure what to make of it when I’d finished. I had to think about it for a while and go through my notes before I could even begin writing the review. That’s probably not the kind of experience you’d expect when someone says the word “apocalypse”. In fact we never find out if there will be an apocalypse, so don’t come to the novel looking for action and destruction. Instead, enjoy it for Greenberg’s very beautiful writing, his characters, and his insights into the personal side of SA politics, morality, faith, and human nature.
If you like the cover, check out my cover-reveal interview with designer Joey Hi-Fi.