Title: God’s War
Series: Bel Dame Apocrypha #1
Author: Kameron Hurley
Published: 18 January 2011
Publisher: Night Shade Books
Genre: science fiction
Source: eARC from the publisher via NetGalley
God’s War has an opening that should not be ignored. It’s one of the best I’ve ever read, and it continues to impress me. Author Kameron Hurley elegantly weaves an unbelievable amount of characterisation, plot and intrigue into those slick opening lines, and one thing you know for sure after reading them is that this is not conventional sci fi.
Set on the planet Umayma in a post-Earth future, God’s War does not make the usual assumption that, if humans go out and colonise planets, it’ll be western nations that do it. Umayma was settled three thousand years ago by a group of Muslims now known as the First Families. Since then, the world has been divided into two main states – Nasheen and Chenja. Religious differences between the two eventually led to a war that has now been raging for two centuries.
Nyx is a Nasheenian ex-soldier and a bel dame – an elite government-trained assassin. In Nasheen, boys are sent to war at sixteen, and they can “either come home at forty or come home in a bag. No exceptions”. As a bel dame, Nyx has spent the last three years cutting the heads off draft dodgers and deserters. But she also works as a bounty hunter on the side, and now she’s started “selling out her womb on the black market”, using it to grow zygotes for gene pirates. This ‘black work’ gets her in trouble with the other bel dames. She loses her prestigious position and carries on as a bounty hunter with a team of mercenaries, including a magician (not what you think), a shapeshifter, and another hunter who once tried to kill her.
The magician is Rhys – a Chenjan exile. Rhys and Nyx are completely different people – he’s a devout Muslim, she’s an atheist, and that’s just the start – but they need each other and end up forming a bond that’s both comforting and frustrating. Together with their team, they accept a bounty from the Nasheenian queen to track down an alien woman who has the means to end the war, not peacefully, but in one nation’s favour.
There is so much about this novel that I found admirable or at least memorable. There’s the weird bug-tech for example – almost all the technology on Umayma runs on bugs. It sounds stupid and it made me squirm (I loathe bugs) but somehow Hurley makes it work. The magicians in the novel are not the usual fantasy kind, but people with an innate ability to control bugs by altering their pheromones and reprogramming insects at the cellular level. In this way bugs are used for many things, from providing light to screening for bioweapons and regrowing limbs or entire bodies. Even the bakkies (pick-up trucks) run on bugs (and I must say I was delighted to see the word “bakkie”, along with other South African terms, like veldt). It’s scientific rather than magical, and I would certainly call this sci fi, not fantasy, but the term ‘magician’ is apt, because it accounts for the fact that the Umaymans have mastered technology they don’t quite understand.
Attention to little details like this is what makes writing good, and if the opening lines didn’t convince you, then I need to tell you now that the writing is excellent – the kind of word craft that makes me want to buy this novel in hardcopy. I would be a poor reader and a shameful sci fi fan if I didn’t have this on my shelf to re-read a few times. God’s War has almost everything going for it, most notably the characters, who feel so real they’re almost tangible, and a fascinating socio-religious culture clash.
Nasheen and Chenja are two vastly different Islamic societies. In Nasheen, “the queen decreed that God had no place for men in mosques unless they had served at the front”. All boys are sent to war and most don’t come back, so society is ruled and run by women, which has completely altered the way they practice Islam. Few women wear the veil, men and women pray in the same space, technology takes care of any reproductive issues, and there’s simply no culture of submission or modesty among women. Same-sex relationships between women are not only common but celebrated (although still illegal for men), and Nyx, who is bisexual, frequently uses sex both for fun and as a means to cultivate useful relationships. Some of the non-gendered Islamic laws have also been discarded – alcohol is happily consumed, and artworks depicting the Prophet are common.
Rhys’s explanation for this “godlessness” is that Nasheenians have allowed the violence of war to lead them astray:
Chenjan women could submit to god and wield a rifle with equal ease, but Nasheenian women had allowed their propensity for violence to pollute their beliefs. Wielding a rifle, they believed, made them men in the eyes of God, and men did not have to practice modesty or submission to anyone but God. Nasheenian women had forgotten their place in the order of things.
As you can tell, Chenja is a far more conservative nation. Society is divided into “purists” and “orthodox” with a scattering of minority sects. Atheists are killed. Women veil themselves, homosexuality is forbidden, alcohol is banned, as are images of living things, particularly the Prophet (if you’re curious, here’s a Wikipedia article on aniconism in Islam). In Nasheen, Rhys is appalled at the way women stare openly at him, “like harlots” and it’s only when he sees their version of Islam that he truly appreciates why the two nations are at war:
In the mosque, forehead pressed against the floor, Rhys never understood the war. It was only when he raised his head and saw the women praying among him, bareheaded, often bare-legged, shamelessly displaying full heads of hair and ample flesh, that he questioned what these women truly believed they were submitting to. Certainly not the will of God.
It’s a credit to the author’s skill that Rhys is not portrayed simplistically as a hateful fanatic. On the contrary, Rhys is a gentle, likeable character. It’s easy to empathise with him without agreeing with him. In her culture clash with Rhys, you might also expect Nyx to be held up as a paragon of women’s liberation, but she’s as flawed and damaged as anyone else. This is not a book about idols or individuals with unprecedented talents or powers. Rhys is a crap magician, although good with a pistol. Nyx is a skilled assassin, but so is every other bel dame. She can seem manipulative and promiscuous or just comfortable and open with her sexuality, while Rhys seems prejudiced by religion at some points but admirably disciplined and committed at others. My point here is that these character feel real, feel human, because they’re too complex to be easily judged or categorised.
Similarly, Nasheen and Chenja do not fall into black and white categories of utopia and dystopia. Women may have more freedom in Nasheen, but Rhys notes, with sadness, that they have old widows begging in the streets and young women fighting in boxing matches for money. And if women are disempowered by religion in Chenja, in Nasheen it is men who are treated like second-class citizens. Nasheen is also rife with racism – the citizens are not white, but they’re more fair-skinned than Chenjans like Rhys, who is beaten up and discriminated against by Nasheenian women because of his dark skin.
I found the contrast between the two societies fascinating, but I have one criticism – Rhys is the only devout main character, so most of the theology in the novel comes from him. He speaks about both Chenja and Nasheen, but is obviously biased towards his own nation. There is no real voice for Nasheenian theology, which would be so much more interesting because the way they practice Islam is so different. Nyx is a major Nasheenian voice in the novel, but as an atheist she has nothing to say about the way her society reconciles their practices with their religion.
However, there is some compensation in the relationship between Nyx and Rhys, which was one of my favourite things about the novel. They disagree about most things and don’t really get along – he thinks she’s a violent, crude, godless woman, and she thinks he’s a weak, pious dope. Their conversations often include an interesting clash of ideas. Nevertheless, each finds inexplicable solace in the other:
The same woman who could cut the head off a man with a dagger in sixty seconds could ease his mind in the face of a thousand angry Nasheenian women. She could banish all thoughts of God, of submission. Some days she made him feel like an insect, a roach, the worst thing to crawl across the world. And then there were times, like now, when she brought him a stillness he had known only with his forehead pressed to a pray rug.
Nyx is also calmed by Rhys – there are a few instances when she’s stressed or scared and asks him to read to her. She doesn’t like what he reads (poetry or the Quran) but she finds his voice soothing. There isn’t any romance here, just a strange kind of friendship between two people who don’t really want to be friends.
The only real shortcoming of this novel is that the plot doesn’t live up to the brilliant opening lines, and it pales in comparison to other aspects of the book. It’s quite slow, plodding along in the background while culture and character dominate the foreground. This isn’t a bad thing in itself, but while some novels are written with plot as a minor feature, this one felt more like the plot was meant to be a strong element but failed. It’s only in the last quarter or so that plot comes to the fore and drives the story. The rest of the time I found it vague and largely uninteresting.
On the bright side, there is a fair bit of intrigue that I’m hoping will be more thoroughly explored in the sequels Infidel (01/10/2011) and Rapture (due 06/11/2012). The alien woman that Nyx and Rhys have to track down is actually human, but is considered alien because she is from another colonised planet, and her pale skin sets her apart from the Umaymans. It’s implied early on that these ‘aliens’ are from a Christian society and there’s a suggestion that Umayma is not the only planet where humans are fighting a religious war. This raises a lot of questions about the nature of the human race when it left Earth to colonise other planets, not to mention the future of Umayma when Islam isn’t the only theory of God being fought over.
God’s War almost instantly got me interested in reading the rest of the Bel Dame Apocrypha series. It combines many of the things I’m most interested in – science fiction, religion, gender, sexuality and good writing – and although I thought the plot could have been stronger, the characters and world-building more than made up for that. I’d recommend this to all sci fi fans, not just because it’s such a damn good book, but also because it brings some variety to a very western, male-dominated genre.
Buy a copy of God’s War at The Book Depository